In Eighteen images to watch the time pass, the cutting on photographic reproduction is combined with the search for a transition between reality and fiction. The work's starting point is a single photograph that presents a portrait of a group of people, possibly a family, possibly my family. In a sequence of 18 reproductions, I continually cut the figures in a cumulative manner, alluding to a chronology of death. In other words, with each new cutting, I tried to suggest a fictional narrative of the family's deaths.